I last heard tenor Daniel Norman in 2019 in RVW's On Wenlock Edge with Sholto Kynoch and the Brodsky Quartet at the Oxford Lieder Festival with an animated film by Jeremy Hamway-Bidgood. This year, of course, Norman's diary rapidly emptied. He started producing on-line performances, including Oxford Bach Soloists' St John Passion in nine weekly episodes. Norman has developed this into Positive Note Films, and will be presenting an online festival in October, Positive Note Autumn Sessions.
The festival will be behind a paywall, and they are currently crowdfunding so that they will be able to pay all the artists taking part in the festival. The intention is not only to enable performers to perform together again, but to earn an income as well.
The performances will not be live streamed, but created as films which avoids the technological problems associated with live-streaming and enables some post-production work. There will be also added content, such as some animation in one of the films. The performances are all taking place at the Silk Hall in Radley College in Oxfordshire.
The planned eight performances feature an impressive selection of performers in a wide range of repertoire:
- The Dance Continues with soprano Anna Dennis, mezzo-soprano Marta Fontanals Simmons, tenor Daniel Norman, baritone Roderick Williams, and pianist Sholto Kynoch in songs of birds and trees with shadow pupped animations by Jeremy Hamway-Bidgood
- the Gesualdo Six in Bushes and Briars, music of Nature and youth
- violinist Jonathan Stone and Sholto Kynoch in Beethoven and Mozart
- Daniel Norman and oboist Emily Pailthorpe in RVW's Blake settings with Blake's original images
- A voice of one's own songs by women composers performed by Diana Moore and John Reid
- The truth about love featuring Percy Grainger's folk-song arrangements, Schubert's Shepherd on the Rock, Finzi's Bagatelles and Britten's Cabaret Songs with Helen Sherman, Claire Egan, Catriona Scott and Charlotte Brennand
- Haydn and Smetana piano trios with the Mitsu Trio
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