Next year, amazingly, Tête à Tête will be 20 and will be celebrating 10 years of their opera festival. Before then, of course we have this year's festival to look forward to along with a number of other events. Tête à Tête has never just been about performing opera, they are equally concerned with facilitating the creation of it, and with the whole business of opera. This weekend, 9 & 10 April 2015 they are co-hosting Devoted and Disgruntled: How can we change opera for the better? Taking place at ENO's Lilian Baylis House, 165 Broadhurst Gardens, London NW6 3AX the event promises to be two days of discussions sessions as a large cross-section of our operatic community; movers, makers, shakers, consumers, activists, re-actionaries, revolutionaries, workers on the factory floor, creators on the edge, at the core, critics, newcomers, old hands, audiences and supporters across the board come together.
That the event is supported by ENO means that the discussions with come at a highly apposite time. The event is facilitated by Improbable, and uses Open Space Technology to allow the group itself to determine the topics and flow of the discussion, and to take action on the urgent issues. If you are interested in or worried about the state of opera today then you should think about going. There is an invitation from Cressida Pollock, chief executive of ENO, on the event website.
Further ahead, Tête à Tête are again collaborating with the Royal College of Music for Crime and Punishment, a
portmanteau of six new pieces inspired by Dostoyevsky, and the event will be live streamed on RCM and Tête à Tête’s website. The event continues on from the Hogarth themed on, Hogarth's Stages which was presented in 2014 (see our review). Lionel Friends conducts, Bill Bankes-Jones directs with operas by Benjamien Lycke (music) & Mien Bogaert (words), Kenichi Ikuno Sekiguchi, Alex Paxton, Algirdas Kraunaitis (music) & Grace Lee-Khoo (words), Amy Bryce (music) & Roland Bryce (words), Sam Hall (music) & Darren Rapier (words). Full information from their website.
Friday, 8 April 2016
Subscribe to:
Post Comments (Atom)
Popular Posts this month
-
Handel: Semele - Pretty Yende, Niamh O'Sullivan (Photo: Vincent Pontet) Handel: Semele ; Pretty Yende, Ben Bliss, Alice Coote, Brindley ...
-
Verdi: La Traviata - Alison Langer, Ellie Edmonds - Opera Holland Park 2025 (Photo: Ali Wright) Verdi: La Traviata ; Alison Langer, Matteo...
-
Great British Classics - BBC Singers, BBC National Orchestra of Wales, Nil Venditti - BBC Proms 2025 (Photo: BBC / Chris Christodoulou) Gre...
-
Estonian Philharmonic Chamber Choir, Tõnu Kaljuste - BBC Proms at the Royal Albert Hall (Photo: BBC/Chris Christodoulou) Arvo Pärt, Galina ...
-
Donizetti: Lucia di Lammermoor - Tabitha Reynolds (ghost), Jennifer France - Opera Holland Park (Photo: Ali Wright) Donizetti: Lucia di La...
-
What about blowing the box to pieces: composer Eímear Noone on writing for video games, films and TVEímear Noone (Photo: Andy Paradise) Dublin and LA-based composer Eímear Noone is known for her scores for video games, films and TV. She re...
-
Having recorded a disc of motets by Francois Couperin (see my review ), Edward Higginbottom and the choir of New College Oxford have turne...
-
Wagner: Tristan und Isolde (Act 1) - Ekaterina Gubanova (Brangäne), Andreas Schager (Tristan), Jordan Shanahan (Kurwenal), Camilla Nylund (...
-
Recorder concertos from Sanssouci : Quantz, CPE Bach, Benda, Graun, Isaac Makhdoomi, Ensemble Piccante; Prospero In Wilhelmine's footste...
-
Bernstein: Trouble in Tahiti - Charles Rice, Allison Cooke - Buxton International Festival (Photo: Genevieve Girling) Leonard Bernstein: Tr...
No comments:
Post a Comment