A Shakespeare Masque in Stratford, Ex Cathedra Consort and Chamber Choir with local Stratford school children photo credit John James, University of Birmingham |
Reviewed by Ruth Hansford on May 12 2016
Star rating:
Garrick's Shakespeare ode re-constructed with a new work by Sally Beamish
Soloist Katie Trethewey, Ex Cathedra Consort & Chamber Choir photo credit John James, University of Birmingham |
The programme consisted of two ‘occasion pieces’, one from 1769 and one from 2016, The Garrick Ode by Thomas Arne and David Garrick, and A Shakespeare Masque by Sally Beamish and Carole Ann Duffy. This gave us the opportunity to reflect on how our view of Shakespeare – and of what makes a national treasure – has evolved over four centuries.
The Garrick Ode was written as a tribute to Shakespeare by one of his most important champions, actor-manager David Garrick, to mark the creation of a statue of Shakespeare in Stratford upon Avon. Garrick’s text was read on this occasion by Sam West. The music consisted of Airs and semi-choruses by Thomas Arne and reconstructed by Adrian Horsewood, with two missing choruses provided by Sally Beamish. Ex Cathedra members took the parts of named actors of the day, and the accompaniment was provided by a harpsichord, violin and bass viol. The accompaniment had a hypnotic feel – possibly a good thing as far as the text was concerned; David Garrick may have been a great actor and very important for the history of the theatre, but really, he was not much of a poet. Well, not to our twenty-first-century ears, anyway: think Oscars ceremony written in 1769 doggerel. The performers worked hard to make it resonate for us, but I doubt it will get many outings except as a companion piece for the Beamish.
The second half had an immediate appeal.
Sally Beamish was inspired by Britten’s Noye’s Fludde for her Shakespeare Masque, a commission involving professional and amateur singers and local schools and setting texts by Carol Ann Duffy. The primary-school children clearly had great fun performing the texts, singing and moving around the space – though sadly it was one of those occasions when there were more people on stage than in the audience (unless the families had attended a dress rehearsal locally? – or the London scene is dominated by the outreach work by Shakespeare’s Globe?). The Ex Cathedra Academy and grown-up choir sang choruses and soprano Katie Trethewey sang Anne Hathaway’s evocative and sensuous Air ‘Come live with me’.
The City Musick accompanied on what was called a Broken Consort, led by William Lyons on recorder and flute, and comprising viols, cittern, bandora, lute and percussion. The Renaissance dance forms and harmonies created an irresistible energy and atmosphere and, with the audience participation in the final chorus, made for a joyous occasion all round.
Reviewed by Ruth Hansford
A Shakespeare Masque by Sally Beamish, text by Carol Ann Duffy
Ex Cathedra and Ex Cathedra Academy of Vocal Music
The City Musick
Children from local primary schools
Jeffrey Skidmore – conductor
Samuel West – David Garrick
Elsewhere on this blog:
- Listening as if for the first time: Handel's original Dublin version of Messiah - concert review
- A work in progress: Bellini's first opera Adelson e Salvini - concert review
- The power of five: Songs to the Moon from the Myrthen Ensemble - CD review
- The art is in putting people together: artistic director Douglas Boyd talks about Garsington Opera's new season - interview
- Firmly intent concentration on the music itself: Vox Luminis at the Cadogan Hall - concert review
- Strength, discipline & delicacy: Alexandra Dariescu, Fabien Gabel and RPO - concert review
- Adelina Patti, hurdy-gurdies & a Scots dance band: How to be HIP at Kings Place - feature article
- Beethoven, Dvorak & a constellation: Trio Celeste - CD review
- Strongly characterised: new music by Reiko Füting - CD review
- Intimate charm: Handel's Acis and Galatea - Concert review
- Impressive achievement, vibrant sound: Elgar's Symphony No. 1 from Trinity Laban Symphony Orchestra and members of WNO Orchesta, conductor George Jackson - concert review
- The delight of having both: Mendelssohn & Shakespeare's A Midsummer Night's Dream at Middle Temple Hall - theatre review
- Home
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