Iain Burnside Why does the Queen die?; dir:Iain Burnside; Guildhall School of Music and Drama
Reviewed by Robert Hugill on May 2 2015
Star rating:
Iain Burnside's imaginative interweaving of Schubert's life and songs
Iain Burnside's new play Why does the Queen die? was commissioned by the Oxford Lieder Festival and performed there by a cast from Guildhall School of Music and Drama in October 2014, and they have now brought the production home to the Studio Theatre at Milton Court (seen Saturday 2 May 2015) where it was performed by a young cast with Edward Liddall as Franz Schubert, Matthew Palmer as Josef von Spaun, Jonathan Hyde as Franz von Schober, Pierre Riley as Anselm Hüttenbrenner, Adam Sullivan as Johann Mayrhofer, Thomas Isherwood as Moritz von Schwind, Jessica Dandy as Gisela, Bianca Andrew as Lotte, Judy Brown as Silke, Ines Lorans as Karoline Esterhazy and Adrian Thompson as Johann Michael Vogl. Iain Burnside directed, with design by Aaron Marsden and Catherine Morton.
Reviewed by Robert Hugill on May 2 2015
Star rating:
Iain Burnside's imaginative interweaving of Schubert's life and songs
Iain Burnside's new play Why does the Queen die? was commissioned by the Oxford Lieder Festival and performed there by a cast from Guildhall School of Music and Drama in October 2014, and they have now brought the production home to the Studio Theatre at Milton Court (seen Saturday 2 May 2015) where it was performed by a young cast with Edward Liddall as Franz Schubert, Matthew Palmer as Josef von Spaun, Jonathan Hyde as Franz von Schober, Pierre Riley as Anselm Hüttenbrenner, Adam Sullivan as Johann Mayrhofer, Thomas Isherwood as Moritz von Schwind, Jessica Dandy as Gisela, Bianca Andrew as Lotte, Judy Brown as Silke, Ines Lorans as Karoline Esterhazy and Adrian Thompson as Johann Michael Vogl. Iain Burnside directed, with design by Aaron Marsden and Catherine Morton.
As Iain Burnside explains in a video on YouTube, the piece interleaves Schubert songs with vignettes from Schubert's life from 1815 to 1828. There is a lot that we don't know about Schubert and his life, and this was a remarkable dramatic portrait combining both life and songs. This was very much Schubert seen through the eyes of his friends (many of whom were writers and artists rather than musicians) with gossip about servant girls, nights at the Crown Inn, sausage parties and a dislike of the gloomy late songs. Much of Schubert's piano music (solo and duet) played by Pierre Riley, Edward Liddell and Ines Lorans underscored the scenes, and this along with the songs served to suggest Schubert's darker side. Some songs were woven into the narrative at Schubertiade type events, or when he distinguished older tenor Vogl (Adrian Thompson) came round. Some were slotted between the narrative, as comment, such as late on suggesting Mayrhofer's strong feelings for Schubert, or a lullaby sung to the dying Schubert by all the cast. The strange and powerful Der Zwerg was subjected to almost an analysis in a tour de force by Adrian Thompson as Vogl, and the song gave the whole play its title.
Cast of Why does the Queen die? |
Directed by Iain Burnside himself, the piece vividly conveyed the young student-y milieu that Schubert lived in, and how it changed as individuals got older and took real jobs. The setting and dialogue were pretty much modern (Lemsip and electric kettles) but with the odd archaicism (they danced formal dances to Schubert's music) and the setting made a lot of the contemporary drawings of Schubert and his friends.
All concerned gave a strong ensemble performance, creating a very natural feeling for the young people's banter, but also with a fabulous exploration of the darker side to the songs. This was a very absorbing evening, lasting around 80 minutes; and enchanting yet thoughtful evening.
Elsewhere on this blog:
- Seductive and satisfying: King Roger at Covent Garden - opera review
- Enchanted Pantomime: Handel and Geminiani - Cd review
- Live and lovely: Carolyn Sampson and Joseph Middleton at Rhinegold Live - concert review
- Possibly the best chamber orchestra she has ever heard: Hilary's review of O/Modernt Kammarorkester - concert review
- Pure magic: Chamber music of Thomas Ades - CD review
- Erotic charge: Gillian Keith in Debussy & his muse - concert review
- Debut CD: Clarinettist Max Mausen - CD review
- Song of the stars: Orfeo Catala - concert review
- Quartets galore: Royal Greenwich String Quartet Festival - concert review
- 2015 International Opera Awards - my report
- More than complete: Rossini Guillaume Tell - CD review
- Thinking and playing: My encounter with violinist Eric Silberger - interview
- Chopin to Ades: Kazakh pianist Dina Duisen in mazurkas - CD review
- Modified rapture: Piotr Beczala in French arias - CD review
- Practising what she preaches: Nelly Miicioiu - concert review
- Rock and roll Vivaldi: Avi Avital - CD review
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